Monday, March 28, 2011

The Rolling Stones - Lady Jane

The Rolling Stones - Lady Jane Tube. Duration : 3.13 Mins.


The Rolling Stones are an English rock band formed in April 1962 leading guitarist and harp player Brian Jones, pianist Ian Stewart, singer Mick Jagger and guitarist Keith Richards. Bassist Bill Wyman and drummer Charlie Watts completed the initial training. Rhythm and blues cover dominated early material by the Rolling Stones', are of increasing international attention to the earlier styles of blues accredited characterized by Chess Records artists such as Muddy Waters, who wrote"Rollin 'Stone", the song after the band takes its name. Indifferent seen as authentic blues stylists, from the beginning, the Rolling Stones Rock and Roll has played, and wrote and recorded in many genres. Jones led the band to Jagger and Richards together to write hit for the band, while the ribbon leader hypothesis. Until 1969, Jones' contributions were minimal, and he was in the U.S. for legal reasons tour. By common consent, left the band. Weeks later, Jonesdrowned, while Mick Taylor joined the Rolling Stones on the guitar. Taylor left in 1974 and was replaced by Ronnie Wood. Wyman left in 1990 and his replacement bassist Darryl Jones, the primary, but has not done a full member. Stewart was taken from the official lineup in 1963 to continue the band road manager and occasional keyboards until his death in 1985. Chuck Leavell is the primary current keyboard player for the band. After his popularity in Europe,Rolling ...

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Thursday, March 17, 2011

The Best Guitar Effects Processor - The inexpressive to Great Guitar Tone

Pure heart stopping distortion.

Those were the words used in a guitar player magazine advert for the Art sgx 2000 that first caught my attention. The most prominent thing I learned from owning one was how to eq my sound to get great guitar tone.

Guitar Player Magazine

I know that sounds like I'm blowing my own trumpet, and everybody has their own idea of what a good guitar sound is, so let's just say I've learned a few things that hopefully you may find useful.

The Best Guitar Effects Processor - The inexpressive to Great Guitar Tone

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A must-have for serious guitarists and guitar aficionados — and for the 155,000 readers of Guitar Player magazine — this best-of collection covers the magazine’s four-decade history. Providing guitarists with valuable information for improving their playing and understanding their instrument, the book features exclusive interviews with past masters such as Chet Atkins, Duane Allman, Jimi Hendrix, and Frank Zappa, as well as six-string stars like Bonnie Raitt, Carlos Santana, Eddie Van Halen, Keith Richards, and B.B. King. With Guitar Player Book, readers can take courses led by John Scofield and Larry Carlton, learn the basics of repair, get pro advice on recording guitar music, and learn about the 50 all-time greatest guitar tones and the 101 greatest moments in guitar history — including an interview with Leo Fender.

When it comes to direct recording, I've always tried to emulate the sound one hears when standing a fair length away from the Speakers, as opposed to the gritty sound one gets when the amplifier Speaker is facing you directly.

Simple Eq guidelines.

I almost always end up adding more bass to my guitar sound. Not too much, but just enough to round out the sound. A guitar sound can in fact deal with quite a fair amount of extra bass before it gets overbearing.

The trick here is to offset it with the right amount of upper midrange. The frequency I ordinarily like to use is 4 khz.

For bass, 100 Hz is commonly fine, but it depends on the amplifier and speaker being modelled as well.

Guitar effects processors and amplifier modellers I've used successfully in the studio.

The Art Sgx 2000 (No longer made). This had a valve preamp section which was configured in different ways to produce assorted sounds, as well as a solid state distortion. This had perfect effects and eq options. The closest thing available nowadays is the Rocktron Prophecy 2 and the Rocktron voodoo valve. The Sansamp classic. This in composition with the Art Sgx 2000 gave me one of the most awesome rock guitar sounds. This is simply an amplifier simulator and has no extra effects like reverb, delay etc. The Roland Gp 100. The first guitar effects processor from Roland to highlight their "Composite Object Sound Modelling", or Cosm for short. This was a totally digital unit, and even though the effects where good, the amp models left a lot to be desired. The latest Cosm guitar preamps are mostly made by Boss, a subsiduary of Roland. The Behringer V-Amp. This little unit surprised me with the potential of some of its tones, especially for direct recording and live right into the mixing desk. The trick was to use the right speaker cabinet model, as only a few where good. Behringer is now up to the V-Amp 3. The Boss Gt-6. This multi-effects processor initially dissappointed me, but after in fact diving in and exploring every choice available, I was finally able to emulate a wide variety of guitar amps quite convincingly as well as find a guitar sound to call my own. If you've got one, the trick is to use the booster pedal supervene to alter the tone of some amps as well as not be afraid to eq the hell out of it if you have to. The Boss Gt-Pro. This, along with the Gt 10 floor unit is the latest Cosm processor, and is a rackmountable guitar rig for the recording studio.

While I've used other guitar processors than the ones mentioned above, I've excluded those that in fact didn't have what it takes.

There are also a lot of guitar processors I've never used before which may be excellent, but I can't in fact say whatever about them until I do.

Some more tips when working with guitar amp modellers.

Never be afraid to get too radical with the Eq. Sometimes that's what it takes to turn a good sound into a great one. always take a break when you think you've found the sound you want, and come back later to see if it's still sounding good. Check the sound with and without headphones. What sounds good on headphones can sometimes be a bit over the top when the studio Monitors are used. Use a guitar that's got medium to low output. Some processors can't deal with the extremely high yield of high gain pickups. I've found that pickups with an impedance of 15K or less work fine. 20K may be too much for clear digital processors. Check all gain stages if you can, too see that no part of the effects chain is overloading the next one, or the output. This helps a lot with the final tone.
So what is the best guitar effects processor?

As always, this is very subjective. everybody has a different taste in guitar sound. What I look for is a farranging Eq section with an choice to put something in the effects loop, so I can add to the motor later.

As I mentioned earlier, the best rock guitar sound I ever got was using one of Tech 21's superior Sansamp pedals in the effects loop of my Art Sgx 2000. Looking as they don't make the Art anymore, I've found other options.

Your guitar and pickups can make a major incompatibility as well. At the moment I use the Boss Gt-Pro, and I've got some in fact great sounds from it, but not without tweaking and experimentation.

The Best Guitar Effects Processor - The inexpressive to Great Guitar ToneALL ~ famous (ROCK BANDS) September WK 4 Tube. Duration : 0.35 Mins.


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Wednesday, March 9, 2011

Daddo Oreskovich reaches Guitar Player Magazine's Guitar Superstar 2008

Daddo Oreskovich reaches Guitar Player Magazine's Guitar Superstar 2008 Tube. Duration : 4.73 Mins.


Daddo Oreskovich, Chicago, IL, takes an original song at the 2008 Guitar Player Magazine Guitar Superstar Competition and won first place. Hosted by Andy Summers, the event was held September 13, 2008, American music at the Great Hall of San Francisco, California. The backing band is Thud Factor, with bassist Jonathan Herrera, keyboardist Eric Levy, drummer John Mader, guitarist and gold Jew. The Grand Prize Winner - Guitar Superstar 2008 - Vicki was Genfan, including judgesJoe Satriani, Steve Vai, Elliot Easton, Brendon Small and George Lynch. The finalists were from the technology, creativity, charisma, and assess the general mood. Prices include an article in Guitar Player, and a host of attractive prizes from sponsors such as Mesa / Boogie, Moog Music, Epiphone, Zzyzx cable Snapjack, Bugera Amps, Audio-Technica, Auralex, CAD microphones, amplifiers Carr, Collings Guitars , Cruz Tools, Dunlop Manufacturing, sound essential products, Fulltone, Keeley Electronics, KingGain, Magix Cases Mono, Peterson N-Tune, ProTone Pedals, Reeves Amplification, Reverend Guitars, Shreddies, Electronics and Villex Westheimer / Cort. The 2008 FINALIST: Eric Barnett, Sonoma, CA Eric Brewer Erie, PA Mark Christian Los Angeles, CA Genfan Vicki Fairview, NJ Makana Honolulu, HI Daddo Oreskovich Chicago, IL Orlando Iceland Michael Staten, NY Dan Peters Morton Grove, IL Ben Robinson Jacksonville The Guy FL Norwalk, CT

Keywords: Daddo, Oreskovich, Guitar, Player, Magazine, Superstar, 2008, solo, electric

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